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ÇѱÛÁ¦¸ñ(Korean Title) ºòµ¥ÀÌÅ͸¦ È°¿ëÇÑ ¿Àº¸¿¡ ¿¬±¸ ºÐ¼®
¿µ¹®Á¦¸ñ(English Title) Study of Oboe's Mechanism through Analysis of Standard Repertories by Computational Methods
ÀúÀÚ(Author) Á¤Çϸ²   Harim Jung                             
¿ø¹®¼ö·Ïó(Citation) VOL 22 NO. 01 PP. 0207 ~ 0208 (2021. 04)
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(Korean Abstract)
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(English Abstract)
The oboe is probably an unfamiliar instrument to many people, but they may know the sounds of the oboe, which is the first note from the orchestra. This unfamiliar yet familiar oboe is actually a very difficult instrument and requires a deep understanding. For this reason, in this study, by analyzing the oboe¡¯s standard pieces, I would like to provide a better understanding of the instrument. This paper will introduce the basic information about the oboe, and Python and the Muisc21 toolkit has been used to analysis of the music score data. The total data was including 3608 bars and 17,333 notes. The results from ordinary repertories by Vivaldi, Bach, Mozart, Poulenc, Britten, and more, D5 and G5 and E5 appeared the most while G6 and F#6 appeared for the least times. Furthermore, the notation pattern played in the pieces the most is A5 to G5 and G5 to F5. Also, the average phrase¡¯s length was eight quarter notes long. Overall, descending figures mostly played in all ten pieces and moved stepwise. Through these results, it is able to know which range that the oboe can comfortably play, which ranges are not often used, and how long the oboe can play. By this study, I expect musicians and audiences can have a better awareness of the oboe's mechanism when they play, compose or listen to the oboe.
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